Working primarily with tissue paper, I explore the fragile threshold between presence and absence through sculpture, installation, photography and wall-based works.

My practice is rooted in the exploration of traces, memory, impermanence and the poetic potential of transformation. Through casting, painting, cutting, tearing and reconstruction, familiar materials and objects undergo a change of state. Stones become weightless shells, everyday objects are transformed into hollow forms that retain the memory of their presence, while painted tissue paper is cut and reassembled into large-scale chromatic compositions.

What interests me is not the faithful reproduction of reality, but the subtle shift that occurs through transformation. My works are neither replicas nor representations. They are resonances of the real, echoes of something that remains physically absent. Whether sculptural or wall-based, each body of work investigates how a delicate material can hold the memory of the physical world while suggesting something beyond it.